| Directed by | Ridley Scott | |
| Produced by | Michael Deeley | |
| Screenplay | Hampton Fancher David Peoples |
|
| Director of Photography | Jordan Cronenweth | |
| Production Design by | Lawrence G. Paull | |
| Associate Producer | Ivor Powell | |
| Music by | Vangelis | |
| Effects Supervisors | Douglas Trumbull Richard Yuricich David Dryer |
|
| Executive in charge of production | C. O. Erickson | |
| Production Executive | Katherine Haber | |
| Unit Production Manager | John W. Rogers | |
| First Assistant Directors | Newton Arnold Peter Cornberg |
|
| Second Assistant Directors | Don Hauer Morris Chapnick Richard Schroer |
|
| Costumes designed by | Charles Knode Michael Kaplan |
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| Art Director | David Snyder | |
| Visual Futurist | Syd Mead | |
| Additional Photography | Steven Poster Brian Tufano |
|
| Casting By | Mike Fenton Jane Feinberg |
|
| Production Controller | Steve Warner | |
| Auditor | Dick Dubuque | |
| Assitant Auditor | Kelly Marshall | |
| Payroll | Paulette Fine | |
| Script Supervisor | Anna Maria Quintana | |
| Production Coordinator | Vickie Alper | |
| Location Manager | Michael Neale | |
| Camera Operators | Robert Thomas Albert Bettcher Steve Smith. |
|
| First Assistant Cameraman | Mike Genne Steve Smith |
|
| Second Assistant Cameraman | Gerofe D. Greer | |
| Sound Mixer | Bud Alper | |
| Boom Man | Eugene Byron Ashbrook | |
| Cable Man | Beau Baker | |
| Set Decorators | Linda DeScenna Tom Roysden Leslie Frankenheimer |
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| Leadman | Michael Taylor | |
| Production Illustrators | Sherman Labby Mentor Huebner Tom Southwall |
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| Assistant Art Director | Stepehn Dane | |
| Set Designers | Tom Duffield Bill Skinner Greg Pickrell Charles Breen Louis Mann David Klasson |
|
| Property Master | Terry Lewis | |
| Assistant Property | David Quick Artur Shippee Jr. John A. Scott III |
|
| Makeup Artist | Marvin G. Westmore | |
| Hairstylist | Shirley L. Padgett | |
| Men’s Costumers | James Lapidus Bobby E. Horn |
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| Ladies Costumers | Winnie Brown Linda A. Matthews |
|
| Special Floor Effects Supervisor | Terry Frazee | |
| Special Effects Technicians | Steve Galich Logan Frazee William G. Curtis |
|
| Lighting Gaffer | Dick Hart | |
| Best Boy | Joseph W. Cardoza JR. |
|
| Key Grip | Carey Griffith | |
| Best Boy Grip | Robert E. Winger | |
| Dolly Grip | Donald A. Schmitz | |
| Crab Dolly Grip | Douglas G. Willas | |
| Construction Coordinator | James F. Ordendorf | |
| Assistant Construction Coordinator | Alfred J. Litteken | |
| Construction Clerk | James Hale | |
| Painting Coordinator | James T. Woods | |
| Standby Painter | Buzz Lombardo | |
| Stunt Coordinator | Gary Combs | |
| Action Prop Supervisor | Mike Fink | |
| Action Prop Consultant | Linda Fleisher | |
| Additional Casting | Marci Liroff | |
| Transpotion Captain | Howard Davidson | |
| Transportation Cocaptain | James Sharp | |
| Publicist | Saul Kahan | |
| Still Photographer | Stephen Vaughan | |
| Producer’s Assistand | Bryan Haynes | |
| Assitant Location Manager | Greg Hamlin | |
| Craft Service | Michael Knutsen | |
| D.G.A Trainee | Victoria Rhodes | |
| Editor | Marsha Nakashima | |
| Assistant Editor | William Zabala | |
| First Assistant Editor [English Editing] | Les Healey | |
| Sound Editor [English Editing] | Peter Pennel | |
| Dialogue Editor [English Editing] | Michael Hopkins | |
| Assistant Sound Editor [English Editing] | Joe Gallagher | |
| Assistant Dialoge Editor [English Editing] | Peter Baldock | |
| Chief Dubbing Mixers [Pinewood studios] | Graham V. Hartstone | |
| Chief Dubbing Mixers [Twickenham studios] |
Gerry Humphries | |
| Special Photographic Effects by | Entertainment Effects Group | |
| Director of Photography | Dave Stewart | |
| Optical Photography Supervisor | Robert Hall | |
| Camermen | Don Baker Rupert Benson Glen Campbell Charles Cowles David Hardenberger Ronald Longo Timothy McHugh John Seay |
|
| Matte Artist | Matthew Yuricich | |
| Additional Matte Artist | Rocco Giofre | |
| Assistant Matte Artist | Michele Moen | |
| Matte Photography | Robert Bailey Tama Takahashi Don Jarel |
|
| Special Camera Technician | Alan Harding | |
| Optical Line up | Philip Barberio Richard Ripple |
|
| Animation and Graphics | John Wash | |
| Effects Illustrator | Tom Cranham | |
| Special Projects Consultant | Wayne Smith | |
| Minature Technician | Bob Spurlock | |
| Assistant Effects Editor | Michael Bakauskas | |
| Chief Model Maked | Mark Stetson | |
| Model Makers | Jerry Allen Sean Casey Paul Curley Leslie Ekker Thomas Field Vance Frederick William George Kristopher Gregg Robert Johnston Michael McMillian Thomas Phak Christopher Ross Robert Wilcox |
|
| Key Grip | Pat Van Auken | |
| Gaffer | Gary Randall | |
| Film Coordinator | Jack Hinkle | |
| Cinetechnician | George Polkinghorne | |
| Still Lab | Virgil Mirano | |
| Electronic and Mechanical Design | Evans Wetmore | |
| Electronic Engineering | Greg McMurry | |
| Computer Engineering | Richard Hollander | |
| Special Engineering Consultants | Bud Elam David Grafton |
|
| Production Office Manager | Joyce Goldberg | |
| Visual Effects Auditor | Diana Gold | |
| Assistant to David Dryer | Leora Glass | |
| Visual Displays by | Dream Quest INC. | |
| Electron Microscope Photographs by | David Scharf (© 1977) | |
| Titles by | Intralink Film Graphic Design | |
|
Complete cast listing as in the movie with a few forgotten ones are added. Source: Future Noir, The Making Of Blade Runner by Paul M. Sammon. ISBN#0-06-105314-7 |
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